For ten years, San Francisco’s Asphodel label was America’s premiere experimental music imprint. Trafficking in everything from turntablist 12″s by the Invisibl Skratch Piklz, Mixmaster Mike’s legendary Anti-Theft Device LP, DJ Spooky’s best full-length, Songs of a Dead Dreamer, musique concrète by Iannis Xenakis (Persepolis,) minimal techno dub from Berlin masters Rhythm and Sound, and symphonies made out of midi-controlled dot matrix printers, Asphodel was it. More»