We live in the Age of Restraint. Oh, it may not seem that way. Humans still reproduce at bacterial, rather than primate, rates. And as this weird new kind of “bacterium” grows, unlike any bacterial species, each member consumes more: humans are getting richer all the time (and I don’t just mean the 1%.) (More…)
Given the recent glut of books about punk, it’s hard for a new one to stand out. But White Riot: Punk Rock and the Politics of Rage does so with ease. Co-editors Stephen Duncombe and Maxwell Tremblay have put together a provocative collection that strikes a delicate balance, equally compelling as a classroom text and a call to action. (More…)
Two weeks ago, my life took a slightly strange turn. My past and future collided in a clash between old media and new media. Let me explain.
Although I’ve never had a secure, long-term post, I’ve been working in academia since completing my PhD in 2001. Over this time, I’ve amassed a number of publications, including two monographs (one of which was co-authored,) a co-edited book, three journal articles and a number of book chapters. (More…)
Here are two profound moments of ’00s retro culture.
Carlos Santana stares directly into the camera in front of a black background. “I love making people cry, laugh, and dance at the same time – giving and receiving a crucial orgasm,” he says. “I never wanted to be anything else since I was a child.”
His choice words are then brought to life. (More…)
Arizona’s extreme right deludes itself that it occupies a central place in American politics. However, there is a difference between being influential, and throwing legislative temper tantrums that gain global notice. Its leading political figures have become internationally scorned, which doesn’t trouble them, and does not harm their electability either. The disjunction between local and external opinion is a matter of local pride, an insularity characteristic of oppressive governments in many areas beyond the American Southwest. (More…)
For an astonishing three decades, since he was only thirteen years old, Berkeley native Aaron Cometbus has been publishing the eponymous zine that, more than any other, testifies to the power of low-fi print. With personal touches like his distinctive block-capital hand lettering and bracingly honest assessment of his travels and travails, Cometbus remains a crucial bulwark in the battle against inauthentic living. Reading even a few pages is enough to put the feed-me-now mentality of our technologically oversaturated age in perspective.