Neal Stephenson’s latest book REAMDE is an impressive achievement. He manages to fill it with a wealth of detail without stalling the story’s momentum. And though it is hardly a traditional novel of ideas, it provides the raw material for searching reflections on the role fiction plays in our lives. The fantasies it mobilizes are so artfully presented that they are able to seduce readers deeply troubled by their implications. (More…)
Given the recent glut of books about punk, it’s hard for a new one to stand out. But White Riot: Punk Rock and the Politics of Rage does so with ease. Co-editors Stephen Duncombe and Maxwell Tremblay have put together a provocative collection that strikes a delicate balance, equally compelling as a classroom text and a call to action. (More…)
Arizona murdered its rivers and poured the remains onto cotton fields and golf courses. Some of the largest water engineering projects on the planet have gone into producing suburban swimming pools and green lawns. Today’s Arizona could not exist without the diversion and destruction of its river system. Over 90 percent of the state’s river system has disappeared. (More…)
Two weeks ago, my life took a slightly strange turn. My past and future collided in a clash between old media and new media. Let me explain.
Although I’ve never had a secure, long-term post, I’ve been working in academia since completing my PhD in 2001. Over this time, I’ve amassed a number of publications, including two monographs (one of which was co-authored,) a co-edited book, three journal articles and a number of book chapters. (More…)
On August 29th, The Jerusalem Post terminated one of its top columnists, Larry Derfner. The long-serving pundit lost his job by falling into a language trap that’s been a bane of peace activists for decades. Some will contend that Derfner’s dismissal is a positive for progressive forces. The newspaper’s political orientation is alleged to be centrist, but is highly conservative. Nevertheless, its diversity of views is said to span from Derfner on the left, to Caroline Glick on the right. (More…)
What do the different forms of unrest that have proliferated in Europe, North Africa, the Middle East, and Latin America have in common? Recently, Judith Revel and Toni Negri published The Common in Revolt, one of the more lucid and penetrating essays analyzing recent and current social protests, revolts, riots, and street politics. A characteristic of such provocative essays is that they demand responses and help shape public debate. (More…)
Here are two profound moments of ’00s retro culture.
Carlos Santana stares directly into the camera in front of a black background. “I love making people cry, laugh, and dance at the same time – giving and receiving a crucial orgasm,” he says. “I never wanted to be anything else since I was a child.”
His choice words are then brought to life. (More…)
At eighty pages, Mark Fisher’s Capitalist Realism: Is There No Alternative? is a brief but fascinating polemic about the insidious ways in which neoliberal ideology insinuates itself into our lives. Riffing on key ideas from theorists such as Michel Foucault, Gilles Deleuze, Slavoj Zizek and Fredric Jameson, Fisher interrogates his own experiences as a UK-based lecturer and culture critic, creating resonant new concepts with which to engage late capitalism. (More…)
In the 1986 Wapping dispute that inaugurated the News of the World as the beast it would become, I have one outstanding memory. I am drinking sherry with friends at 2AM, on a highway we are convinced we have taken – only for TNT vans heavy with bundled copies of News of the World to exit from spidery side streets half a mile away.
In a year of picketing, we never once stopped the labyrinthine plant. (More…)
When I first noticed Monocle on prominent display near the cashiers at my local Barnes & Noble, I was excited. I’d heard a great deal about the magazine and been to its website. But I had yet to hold a copy in my hands. Sure, I could have subscribed to it, but spending upwards of $100 per year on a publication I’d never seen seemed excessive. And, to be frank, I’m more likely to make that sort of financial outlay for music or films than I am for reading material. (More…)