It’s not every day you walk into your local newsstand and find a twelve-year-old zine written by one of your favorite musicians, seemingly abandoned behind a stack of vintage copies of Punk Planet, and way too many issues of Revolver. But I did. Call me nostalgic, but I still can’t get over it. With good reason. (More…)

Death was everywhere.  A large, jovial Calaveras print greeted gig goers at the entrance to Sacramento’s Sol Collective – a reminder that Dia De Muertos is approaching. Sitting on the floor, I could see the dimly lit St. Joseph’s Cemetery across the street. A painting of a skull, tucked into a deep-sea diving mask, hung above Amy Farina’s drum set. (More…)

How do you describe The Shondes? Indie? Punk? Jewish? Queer? After seven years and four albums, the way the band is identified has definitely changed. Souciant sat down with violinist Eli Oberman to discuss the band’s forthcoming album, The Garden, and talk about radical politics, Jewish tradition, and Tzadik Records. (More…)

For the fifth year in a row, the Philly Punx Picnic brought a week’s worth of noise, party, and way too much beer to an appreciative local scene. Featuring seven shows in just under six days, a softball tournament, and a bike race, the festival drew visitors from around the country and all the way from Japan and Australia. (More…)

One of the peculiarities of punk is that its ethos of personal freedom has often been expressed through regimentation. Punk’s earliest exponents had no coherent ideology, yet punk exists today as a congeries of well-defined styles and symbologies. A further feature of its history, whose appearance was roughly coterminous with the emergence of punk itself, is the view that punk is dying or that it is already dead. (More…)

Few cultural movements have left more of a mark than DIY (Do-it-Yourself) punk. For the last four decades, the scene has had a tremendous impact on both music and radical politics. Best known for its anarchists, little attention to has been paid to its ideological contradictions. For example, even its most politicized form, anarcho-punk, proclaims anti-capitalist goals, yet economically ends up working through market  mechanisms. (More…)

One of the peculiarities of the early punk scene was the way that certain sounds became associated with certain towns. In mid-1980s, New York became famous for bands with a crunchy, metallic sound, such as Judge, Youth of Today, and the Cro-Mags. Although Chicago has produced a wide range of groups, it’s hard to dissociate the city from dark and angular sounding 1980s bands such as Naked Raygun, The Effigies, and Articles of Faith. (More…)

Leftists often bemoan a perceived lack of progress on the issues they work on. Fighting economic injustice, war or discrimination can feel like a thankless task. On top of the difficulty of the work, too often we fail to celebrate success and lose a longer historical view of how the world has changed for the better. (More…)

Philadelphia’s Rosetta have achieved a lot in their ten years as a band. In addition to three self-released LPs full of lush, intricate, and very noisy post-rock and metal, they’ve toured extensively, especially to spots their contemporaries have yet to visit. (More…)

Besides their release this year in beautifully packaged vinyl editions, and use of Mediterranean field recordings, Mutamassik’s album Rekkez, and Savage Republic’s Varvakios LP, don’t seem to have a lot in common. However, both come from an aesthetic of fatalistic, yet rebellious, sonic energy, fuelled by an urgency to burst into a future weighed down by ancient history. (More…)

2012 was a damn good year for music in general, and for new musical discoveries, personally. I found my own tastes wandering between the seemingly-unrelated-yet-actually-interconnected worlds of hardcore punk, deathrock, postpunk, and neofolk. My “top 10” for 2012 reflects this. (More…)

Times are tough in Spain. Suffering the aftereffects of the collapse of a speculative real-estate bubble in 2008, debarred from improving its export position through devaluation because of its participation in the Euro, the government of Mariano Rajoy has recently proposed a budget plan involving cuts of over $85 billion in the next two and a half years. (More…)