Tag: Keith Kahn-Harris

Edited by Titus Hjelm, Keith Kahn-Harris, Mark LeVine, Heavy Metal Controversies and Countercultures presents a wide range of perspectives and approaches to the topic, probing the ways that race, gender, violence, and politics find expression in the wide range of instantiations of metal. The editors of this collection all have serious bona fides in the scholarly study of metal. (More…)

Souciant contributor Keith Kahn-Harris’s The Best Water Skier in Luxembourg is part of a “crowdfunding” model of book publishing by the U.K.-based Unbound. Through Unbound, readers decide which book projects they want to see completed by financially backing it chapter-by-chapter. (More…)

Two weeks ago, my life took a slightly strange turn. My past and future collided in a clash between old media and new media. Let me explain.

Although I’ve never had a secure, long-term post, I’ve been working in academia since completing my PhD in 2001. Over this time, I’ve amassed a number of publications, including two monographs (one of which was co-authored,) a co-edited book, three journal articles and a number of book chapters. (More…)

In a (post-) postmodern age, no collision should surprise us. I don’t know if Latvian-Portuguese fusion food exists, but it certainly could. So it is that heavy metal has been impacted by all manner of cultures and things. It’s worth highlighting such collisions, as the image of metal as a musical and social monoculture remains persistent. (More…)

For the left-wing black metal lover, no act causes greater discomfort than Burzum. The influence of Varg Vikernes’ one-man band is profound. Burzum’s 1990s albums, particularly 1994’s Filosofem, demonstrated just what was possible in the Norwegian black metal scene. (More…)