Visual

Few cities are as hyped for their cosmopolitanism more than Berlin. Home to a bewildering array of nationalities, it caters to fantasies of a fully globalised space that could be designated capital of a world without borders.  (More…)

Most international tourists to Spain who make the detour to Bilbao—or Bilbo as it is spelt in Euskara, the Basque language—do so in order to visit the Guggenheim Museum, the Frank Gehry-designed titanium shipwreck that has loomed over the left bank of the Nervión estuary for the past twenty-one years. (More…)

Decades ago, in First Blood: Part II, the character John Rambo asked, “Do we get to win this time?” If the United States had won the war, Rambo would not have been invented to rescue fictional victory from real defeat. Because it lost, its filmmakers learned to profit from telling stories about successes that never happened. (More…)

The racists have it wrong. The invading hordes of migrants are neither Arab nor Muslim. The majority, in the two cities I work, Berlin and Turin, are African. Black African that is, many speaking indigenous languages, if not French or English. If they’re religious, generally the choice of faith is Evangelical Protestantism, not jihadist Islam. (More…)

They’re the only populist party that matters. Or at least did, until Italy’s far-right Lega (Nord) entered government in June, in a previously unimaginable coalition with the upstart Cinque Stelle (5 Star), well to the Lega’s left on most issues. Numerically speaking, Alternative für Deutschland polled far better in Germany’s 2017 elections but had no one similar to partner with. (More…)

Oren was frustrated. “You always end up living with jihadists,” he said. “Wherever you move in Europe, it’s always the same.” While I wouldn’t have chosen the J-word, he wasn’t entirely wrong. I’d made a habit of living in Muslim-heavy neighbourhoods in Milan and Berlin. (More…)

It’s hard to get the world interested in the realities of the war in eastern Ukraine. Frankly, it’s boring. (More…)

Like last summer’s widely lauded Get Out, Sorry To Bother You, the first film by hip-hop activist Boots Riley, is a rollicking bad time, every bit as fun as it is disturbing. And that’s surely the main reason that, like Jordan Peele’s directorial debut, it is doing well with audiences that don’t generally seek out left-wing multicultural art. Although less narratively “tight” than Get Out, (More…)

I’m standing outside in the rain. Not the savage sort we usually see during our summer Monsoon season here in the Sonoran Desert, but an impossible soft mist. There’s just enough of a breeze to set our wind chimes in motion, creating a soundscape that implores me to be completely in the moment. I hear myself saying, “It’s a beautiful day in the neighbourhood.” (More…)

Two-thirds of the way through Freelancer on the Front Lines, Jesse Rosenfeld is filmed packing his flack jacket, as he prepares to return home to Beirut. (More…)

We have reached such a pass in the modern world that political truths can only be spoken by comedians. The attacks by the political right on fact-oriented journalism, and on the reality-based community more generally, have created a situation in which political truths can only be spoken with kidding (not kidding) appended to them. (More…)

The Sixties are a cliché. They have been since the 1980s. But, who wouldn’t argue that the era isn’t preferable to the one we live in now. Everything in politics is about time these days. Nostalgia, in particular. (More…)